Editing Obsession
Am I the only one who can get absolutely absorbed in editing a piece? I've been reworking reworking reworking a poem, Miscarriage, that I wrote maybe three weeks ago. And it's morphing into something strange.
Anyway - here's just a stanza, and it's three different stages as an example:
Version 1
The toothless smile of satisfaction – rose
across her dimpled abdomen. Her breasts
hang above, the heads of a widows in prayer.
Everyone watches – eyes taking
in the color of bare skin – skin bending
in the hurricane that blew past. She sways
to the music that couldn’t carry her home.
VERSION 2
All the eyes are on her toothless smile–the rose lips
that cut across her dimpled abdomen. Her breasts
hang above, the heavy heads of a widows in prayer.
Her bare skin bends in the hurricane that blows past
as she sways to the music that couldn’t carry her home.
VERSION 3
As she dances - her voice thunders in the hum
of fronds, and all eyes are on the toothless smile –
the rose lips that slice
across her dimpled trunk. Her breasts hang
above, the heavy heads of widows
heaving a prayer to the wind:
please carry my smallest of seeds home.
HUH? Going from one to three, you hardly see any resemblence - except the two central images of the scar and the boobs.
I know I blogged about this piece before, but man is it bugging me.
Ok, well - back to my regularly scheduled day of sneezing.
Achoo!
Anyway - here's just a stanza, and it's three different stages as an example:
Version 1
The toothless smile of satisfaction – rose
across her dimpled abdomen. Her breasts
hang above, the heads of a widows in prayer.
Everyone watches – eyes taking
in the color of bare skin – skin bending
in the hurricane that blew past. She sways
to the music that couldn’t carry her home.
VERSION 2
All the eyes are on her toothless smile–the rose lips
that cut across her dimpled abdomen. Her breasts
hang above, the heavy heads of a widows in prayer.
Her bare skin bends in the hurricane that blows past
as she sways to the music that couldn’t carry her home.
VERSION 3
As she dances - her voice thunders in the hum
of fronds, and all eyes are on the toothless smile –
the rose lips that slice
across her dimpled trunk. Her breasts hang
above, the heavy heads of widows
heaving a prayer to the wind:
please carry my smallest of seeds home.
HUH? Going from one to three, you hardly see any resemblence - except the two central images of the scar and the boobs.
I know I blogged about this piece before, but man is it bugging me.
Ok, well - back to my regularly scheduled day of sneezing.
Achoo!
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